News

Eccentricity, Spectatorial Desire, and The L Word: Toward a Theory of Identification

Posted: May 15th, 2013

Name: Katerina Symes
Title: “Eccentricity, Spectatorial Desire, and The L Word: Toward a Theory of Identification”
Date: Tuesday, May 28, 2013
Time: 2:00 pm
Room: CJ 5.223 (Loyola)
Supervisor: Prof. Krista Lynes
Reader: Prof. Kim Sawchuk
  Prof. Mia Consalvo
Chair: Prof. Ian Reilly



Communication Studies ranks among world’s best

Posted: May 9th, 2013

University takes five spots in British rankings’ top 200
The Department of Communication Studies ranked in the top 100 such programs worldwide. | Photo by Concordia University
The Department of Communication Studies ranked in the top 100 such programs worldwide. | Photo by Concordia University

Concordia University’s renowned communication studies programs have clinched a spot in the top 100 such programs worldwide in the latest edition of the QS World University Rankings by Subject. Two other disciplines broke through to the prestigious higher-education rankings’ top 150 while two others held their spot (jointly in one category) in that elite group. A sixth program also ranked in the global top 200 again this year.

The education and English programs rose in the rankings this year while accountancy and finance held steady in their top 150 spot since last year, and sociology retained its spot in the top 200.

The QS World University Rankings by Subject are based on several factors including academic reputation, a survey of employers and citations per faculty. While the first 50 universities are ranked sequentially, those that fall between 51 and 200 are grouped into three categories (50-100; 100-150; 150-200).

Concordia’s position, by category, in the 2013 edition of the British-based publication:
 
•    Communication and Media Studies: 51-100 (101-150 in 2012)
•    Education: 101-150 (151-200 in 2012)
•    English Language and and Literature: 101-150 (151-200 in 2012)
•    Accounting/Finance: 101-150  (no change from 2012)
•    Sociology: 151-200 (no change from 2012)

The first of its kind in North America, Concordia’s communication studies program was founded in 1965 with a focus on studying communication as an art form. The department’s reputation for innovation persists to this day as it is the first in Canada to have research-creation thesis options in its MA Media Studies and PhD Communication Studies programs. The department is currently home to the only two Trudeau PhD Fellowships in Communications Studies in Quebec.

The department is also the nexxus of significant research with faculty members currently holding two Canada Research Chairs and two Concordia University Research Chairs, three of which are a first in Canada. Mia Consalvo holds the Canada Research Chair (Tier 1) in Games Studies and Design while Krista Geneviève Lynes is the new Canada Research Chair (Tier 2) in Feminist Media Studies and will soon run the Feminist Media Studio. Kim Sawchuck holds the Concordia University Research Chair (Tier 1) in Mobile Media Studies and Charles Acland holds the Concordia University Research Chair in Communication Studies (Tier 2), the first chair in the department.

Illustrious alumni from the Department of Communication Studies include Pierre Even, producer of films including the Oscar-nominated feature Rebelle; Régine Chassagne, philanthropist, musician (Arcade Fire);  René Balcer, Emmy award-winning producer and writer (Law & Order); and Hana Gartner, investigative journalist (CBC Television’s The Fifth Estate).

The QS World University Rankings by Subject was launched in 2011, an outgrowth of the QS World University Rankings, published annually since 2004. The expanded version aims to give future students an immediate understanding of which universities perform the best across 30 different subjects.

Related links:

•    Department of Accountancy
•    Department of Finance
•    Department of Communication Studies
•    Department of Education
•    Department of English
•    Department of Sociology and Anthropology
•    QS World University Rankings by Subject 2013
•    Methodology for the QS Rankings by Subject




Conference – Differential Mobilities: Movement and Mediation in Networked Societies

Posted: May 6th, 2013

Differential Mobilities Conference
Major International Mobilities Conference brings top researchers and artists to Concordia

Hosted by the Mobile Media Lab in the Department of Communication Studies of Concordia University, the Differential Mobilities: Movement and Mediation in Networked Societies conference has become an important means for understanding and analyzing contemporary social, geographic, economic and political practices. Mobilities research is interdisciplinary, focusing on the movement of people, goods and information creating distinct trajectories, flows, frictions and blockages: patterns of differential movement. The conference will further investigate topics such as social media and privacy, human rights and population migration, energy and sustainability, transportation and tourism, accessiblity and disability.

Sponsored by The Pan-American Mobilities Research Network, in collaboration with the PHI Centre, Tourisme Montréal, Communication Studies, Concordia University as well as Hexagram, the event’s lead organizer is Professor Kim Sawchuk, Concordia University Research Chair in Mobile Media Studies. This is the fourth annual conference of the Pan-American Mobilities Research Network, a consortium of researchers engaged in the emergent field of mobilities studies.

When: May 8 to 11, 2013
Where:  From May 8 to10, 3rd floor of the John Molson School of Business Building (1450 Guy St.), Sir George Williams Campus
May 11 -  Phi Centre, 407 Rue St. Pierre

Conference Registration: (after April 10, includes reception, coffee, lunch, 2 dinners and final party)
$350 – Full registration
$285 – Two-day registration
$210 – One-day registration
$250 – Student; Participants from outside of North American and Europe

Registration details can be found here.

All keynote sessions are free of charge pending seating availability.

Keynote speakers include:

Gerard Goggin –  University of Sydney, Australia; leading scholar on youth and mobile media

Giselle Beiguelman – University of Sao Paolo, Brazil; new media artist and curator

Danielle Peers – University of Alberta; former paralympian and activist filmmaker

Lindsay Eales – University of Alberta; co-founder of iDance

Darin Barney – McGill University; Canada research Chair in Technology & Citizenship

Ole B. Jensen – Aalborg University, Denmark; scholar of urban theory and urban design

Micha Cárdenas – University of Southern California; new media artist and transgender theorist

Vera Chouinard – McMaster University; innovator in critical disability studies and feminist geographer

Skawennati Fragnito – Obx Labs, Concordia University; First Nations artist, curator and new media developer

Jason E. Lewis – Obx Labs, Concordia University; designer, poet, and new media artist

Artists in Residence:

Jen Southern – Centre for Research in Mobilities, Lancaster University, UK
Antoni Abad – Barcelona, Spain

Generously sponsored by:
•    SSHRC (Social Sciences and Humanities Research Council)
•    The Office of the Vice President, Research and Graduate Studies, Concordia University
•    The PHI Centre
•    Tourisme Montréal
•    Concordia University Research Chair in Mobile Media Studies
•    Hexagram

Related links:
•    Differential Mobilities: Movement and Mediation in Networked Societies
•    Concordia University Mobile Media Lab
•    Faculty of Arts and Science, Concordia University
•    Mobile Media Lab Twitter
•    Hexagram Concordia
•    Tourisme Montréal
•    The PHI Centre




Communication Studies Scholars Awarded New Research Chairs

Posted: April 3rd, 2013

Congratulations to Dr. Kim Sawchuk and Dr. Krista Geneviève Lynes, who have both recently been awarded new research chair positions.

Dr. Kim Sawchuk | Image © Concordia University

Dr. Sawchuk now holds a Concordia University Research Chair (Tier 1) in Mobile Media Studies, a first of its kind in Canada. Sawchuk directs the Mobile Media Lab, which is dedicated to the critical and creative investigation of mobilities across the humanities, social sciences, fine arts and the sciences. Many of the projects in the Lab that Dr. Sawchuk is currently undertaking explore the use of geo-located media for research on urban environments, digital storytelling, and cultural activism.

Related links:


Dr. Krista Geneviève Lynes | Image © Concordia University

Dr. Lynes is the new Canada Research Chair (Tier 2) in Feminist Media Studies and she will soon be running the Feminist Media Studio, which will support the creative and critical engagement with historical and contemporary forms of politically-engaged feminist art, documentary, independent cinema, and media activism in a globalized world. Through its creation, students and faculty—along with associated scholars and cultural producers—will have access to production and post-production facilities that draw from the complex histories of feminist art and activism.

Related links:




“I’m Gonna Gather Up All My Friends, And We’re Gonna Sing These Songs Together”: Autoethnography, Individual Meanings, and Social Relationships in Punk Scenes”

Posted: March 27th, 2013

Name: Andrew Stager
Title: “I’m Gonna Gather Up All My Friends, And We’re Gonna Sing These Songs Together”: Autoethnography, Individual Meanings, and Social Relationships in Punk Scenes”
Date: Tuesday, April 2, 2013
Time: 2:00 pm
Room: CJ 5.219 (Loyola)
Supervisor: Prof. Owen Chapman
Reader: Prof. Andra McCartney
  Prof. Martin Allor
Chair: Prof. Matt Soar



“Reconciling Feminist Values Within Sexist Hip Hop Spaces: Dancefloor: Explorations of Feminism and Hip Hop”

Posted: March 27th, 2013

Name: Ilana Kelemen
Title: “Reconciling Feminist Values Within Sexist Hip Hop Spaces: Dancefloor: Explorations of Feminism and Hip Hop”
Date: Friday, April 5, 2013
Time: 1:00 pm
Room: CJ 5.219 (Loyola)
Supervisor: Prof. Martin Allor
Reader: Prof. Owen Chapman
  Prof. Krista Lynes
Chair: Prof. William Buxton



“The Selfish Selfless Hero: Questing in Dragon Age: Origins”

Posted: March 21st, 2013

Name: Carolyn Jong
Title: “The Selfish Selfless Hero: Questing in Dragon Age: Origins”
Date: Friday, April 5, 2013
Time: 10:00 am
Room: CJ 5.219 (Loyola)
Supervisor: Prof. Mia Consalvo
Reader: Prof. Bart Simon (Sociology and Anthropology)
  Prof. Peter van Wyck
Chair: Maurice Charland



War drama by Comm Studies alumnus takes home 10 prizes

Posted: March 7th, 2013

Kim Nguyen | All images courtesy of Métropole Films Distribution
Kim Nguyen | Image courtesy of Métropole Films Distribution

Rebelle, directed by Concordia graduate Kim Nguyen, took home 10 Canadian Screen Awards during a gala held in Toronto on March 3.

The Oscar-nominated film, also written by Nguyen, BFA (Film Production) 97, was nominated for 12 awards and won in categories that include best film, best director and best screenplay. Its teenage star, Rachel Mwanza, also won for best actress.

"I’m very touched," said Nguyen as he collected the best director prize. I’d like to dedicate this to the women in the Congo, their strength, their courage and their resilience."

In December, Nguyen told reporters via a conference call that he was overwhelmed by the reception his film has received.

Montreal-born Nguyen said he trusted his instincts in shooting the film in war-torn Democratic Republic of Congo.

Award-winning producer and alumnus Pierre Even. Photo: Concordia University.
Award-winning producer and alumnus Pierre Even. |  Photo by Concordia University.

Alumnus Richard Comeau, BFA (Film Production) 87, also won an award for achievement in editing for the Rebelle film.

Alumnus Pierre Even, GrDip (Communication Studies) 90, produced the 90-minute drama. He and Nguyen worked alongside Nicolas Bolduc attendee (Film Production) 94 who was cinematographer for the feature.

Rebelle, War Witch in English, is a poignant film with an exceptional lead performance by Mwanza, a newcomer discovered on the streets of Kinshasa, the capital and largest city of the Democratic Republic of the Congo.

The film tells the story of Komona (Mwanza), a 12-year-old girl who is kidnapped by African rebels, forced at gunpoint to kill her parents and fight as a child soldier.

Due to her ability to see grey ghosts in the trees that warn her of approaching enemies, she is deemed a sorceress and bestowed the title of War Witch by the supreme leader of the rebels, Great Tiger.

Rebelle premiered at the Berlin Film Festival in 2012, where Nguyen was the first Canadian director in 13 years to have a film selected for the main competition. Mwanza earned the best actress Silver Bear award. She also won Best Actress prize for the movie at the Tribeca film festival in New York City in April, along with the Best Narrative Film prize.

Rachel Mwanza
Rachel Mwanza

Rebelle is Nguyen’s fourth feature film. He started it 10 years ago after reading about two Burmese twin brothers who, at age nine, led an army of rebels in a fight against the government. His research, which included travelling to Burundi to interview child soldiers, led him to focus on conflicts in Angola, Sierra Leone and Sub-Saharan Africa.

Next up on the awards circuit for Rebelle is the Jutra Awards, where the film has been nominated in nine categories. The Jutra Awards, which recognize accomplishment in Quebec’s film industry, will be broadcast live on Sunday, March 17 at 7:30 p.m.

Related links:
•    Rebelle by Concordia grad nominated for Oscar” — NOW, January 10, 2013 
•    “Quebec’s C.R.A.Z.Y. film business” — NOW, March 28, 2012




Media Gallery: American Colour

Posted: February 25th, 2013

American Colour, a two-channel film installation by artist Joshua Bonnetta, curated by Matt SoarThe Media Gallery in the Department of Communication Studies proudly presents American Colour, a two-channel film installation by artist Joshua Bonnetta, curated by Matt Soar. American Colour explores the history and aesthetic of the legendary, now obsolete, Kodachrome 16mm film stock. In part it documents a roadtrip from upstate New York (the birthplace of Kodachrome) to Kansas, home of the last Kodachrome processing facility. American Colour was itself part of the last batch ever to be developed there. The film is also a colour-field animation exploring the signature range of hues available in Kodachrome, and the soundtrack is inspired by the two violinists who invented Kodachrome in 1935.

Joshua Bonnetta received his MFA from Concordia University in 2009. The opening vernissage, with a brief artist’s talk, will be on Thursday March 7th, 5.00-6.30pm. American Colour opened on February 7th and runs until May 12, 2013 in the Media Gallery, CJ Building 1.419, at Concordia University’s Loyola campus, 7141 Sherbrooke Street West, Montreal. Gallery hours are Monday-Thursday 9am-4.45pm and Friday 9am-12.45pm.

Supported by the office of the Vice-President, Research and Graduate Studies, the Faculty of Arts and Science, and the Department of Communication Studies.

For additional information call 514-848-2424 ext 2555.




Alumni nominated for Academy Award

Posted: January 22nd, 2013

Rebelle, written and directed by Concordia graduate Kim Nguyen, and produced by Communication Studies alumnus Pierre Even, has been nominated for Best Foreign-Language Film at the 85th Academy Awards.

Nguyen, overwhelmed by the reception the film has received so far, said he trusted his instincts in shooting the film in war-torn Democratic Republic of Congo.

Scene from Rebelle
Scene from Rebelle | All images courtesy of Métropole Films Distribution

Pierre Even produced the 90-minute drama, which will square off against Austria’s Amour, Norway’s Kon-Tiki, Chile’s No and Denmark’s A Royal Affair.

Nguyen and Even worked alongside another Concordian, Nicolas Bolduc, who was the film’s cinematographer.

Rebelle is the third Canadian-made movie in a row to impress the Academy of Motion Picture Arts and Sciences.

In 2011, Monsieur Lazhar was nominated, yet the award went to A Separation from Iran. In 2010, Incendies was nominated and lost to Denmark’s In a Better World.

André Turpin, BFA 89 and fellow Mel Hoppenheim School of Cinema graduate, worked as cinematographer on the critically acclaimed Incendies.

Rachel Mwanza
Rachel Mwanza

RebelleWar Witch in English — is a poignant film with an exceptional lead performance by Rachel Mwanza, a newcomer discovered on the streets of Kinshasa, the capital and largest city of the Democratic Republic of the Congo.

The film tells the story of Komona (Mwanza), a 12 year-old girl who is kidnapped by African rebels, forced at gunpoint to kill her parents and fight as a child soldier.

Due to her ability to see grey ghosts in the trees that warn her of approaching enemies, she is deemed a sorceress and bestowed the title of War Witch by the supreme leader of the rebels, Great Tiger.

Rebelle premiered at the Berlin Film Festival in 2012, where Nguyen was the first Canadian director in 13 years to have a film selected for the main competition.

Mwanza earned the best actress Silver Bear award. She also won Best Actress prize for the movie at the Tribeca film festival in New York City in April, along with the Best Narrative Film prize.

Rebelle is Nguyen’s fourth feature film. He started it 10 years ago after reading about two Burmese twin brothers who, at age nine, led an army of rebels in a fight against the government.

His research, which included travelling to Burundi to interview child soldiers, led him to focus on conflicts in Angola, Sierra Leone and Sub-Saharan Africa.

Related links:
•    Official trailer for Rebelle
•    Concordia’s Mel Hoppenheim School of Cinema




“Useful Cinema” Wins Society for Cinema and Media Studies Honour

Posted: January 17th, 2013

Useful CinemaThe Society for Cinema and Media Studies has awarded Useful Cinema (Duke University Press, 2011) an honorable mention in its 2013 Best Edited Collection Award competition. Useful Cinema was edited by Charles Acland (CURC Communication Studies) and Haidee Wasson (Cinema Studies), and the volume grew out of an SSHRC-funded workshop held at Concordia University in 2006.

The book consists of fourteen essays that explore how mid-twentieth-century institutions, including libraries, museums, classrooms, and professional organizations, helped to make moving images an ordinary feature of American life. The SCMS awards committee praised the volume for helping to open up a new research domain and noted the consistently high quality of the historical research across the essays.

This is the first time an SCMS Best Edited Collection Award committee has recognized work from scholars at a Canadian university. The award ceremony will take place in Chicago in March.




Comms Productions Featured on Canal Savoir

Posted: January 11th, 2013

communication studies workshopConcordia has renewed its partnership with Canal Savoir, an educational television station that broadcasts in English and French to more than 4 million homes across Canada. This month, the station will begin broadcasting film projects produced by students in Concordia’s Communication Studies, Journalism and Film Production departments.

Sylvie Godbout, Canal Savoir’s general manager, says she’s thrilled that Concordia has renewed its affiliation with the educational network, which broadcasts content produced by universities across the province.

“Concordia has a strength, which is its student productions, and we are able to provide the opportunity to showcase some of these student productions somewhere other than just in the classroom or over the internet,” she says.

Communication studies student Elise Høgberg says it’s exciting news for her and her fellow students. “I think it’s amazing. I’m really, really excited, and it’s an honour to have this opportunity,” she said.

Høgberg says the pressure to complete coursework means students rarely have the time or the resources to explore the possibility of getting their productions broadcast on television. “It’s really great for our CVs to have things broadcast.”

Technical instructor Michael Smart says Salzman's piece is "interesting because he’s talking about his parents, and how making this dish takes him back to his loving home.”
Technical instructor Michael Smart says Salzman’s piece is “interesting because he’s talking about his parents, and how making this dish takes him back to his loving home.”

Høgberg’s impressive stop-animation production What on Earth was That? will be featured during a half-hour show called Tell Me a Story, a compilation of videos produced by students in Associate Professor Rae Staseson’s third-year video class in the Department of Communication Studies.

Students in the same class also produced a series of self-portraits for a second half-hour show called My Story. Technical instructor Michael Smart, who assisted Staseson’s third-year video students with their productions, says he was impressed by the quality of what they produced.

“We had a group of very motivated and talented students,” he says, before describing one of the self-portraits that stood out for him. “The last piece on theMy Story show is called Pasc n’ Cheese. It’s just shots of the student, Pascal Salzman, making macaroni and cheese, which was his favourite dish as a kid. It’s interesting because he’s talking about his parents, and how making this dish takes him back to his loving home.”

Concordia’s journalism department is contributing three half-hour shows produced in the fall. The two segments produced by students in the journalism diploma program’s Advanced Television Journalism follow the format of a news show covering local stories.

The half-hour show produced by undergraduate students in the Advanced Television Journalism class contains a series of in-depth feature stories. The students present the segments of the show using a unique conversational format.

Journalism students will produce two more one-hour documentaries, and at least one other half-hour show for Canal Savoir this winter.

Salzman and the finished product. | All images taken from Pasc n’ Cheese
Salzman and the finished product. | All images taken fromPasc n’ Cheese

Peter Downie, a lecturer and the director of the graduate program in the Department of Journalism, says the fact that the students know their projects are going to be broadcast across the country has an impact on how they approach their work. “It just adds something a little extra to the production, knowing it’s going to be seen publicly,” he says.

For the next round of productions for Canal Savoir, Downie says he may look at the possibility of producing a show featuring students’ photojournalism essays.

“This really gives us a chance to experiment with different techniques and different forms,” he says. “My own experience is that students are far more creative now, and their creativity comes alive if you give them a forum in which to exercise it.”




New book by Dr. Krista Geneviève Lynes: Prismatic Media, Transnational Circuits: Feminism in a Globalized Present

Posted: January 8th, 2013

Dr. Krista Geneviève Lynes: Prismatic Media, Transnational Circuits: Feminism in a Globalized PresentWhat are the political and aesthetic dimensions of video art, documentary, and global cinema in contemporary image culture? In her first book, Krista Geneviève Lynes makes visible how sites of political struggle, exploitation, and armed conflict can be theorized and interpreted through a feminist politics of location, attentive to the frictions and flows within transnational circuits of exchange. Prismatic Media, Transnational Circuits traces how formal modes of experimentation provide prismatic visions of sites of political struggle – multiple, mediated points of view – and thus open space for complex and emancipatory relations among cultural producers, activists, and viewers in a globalized present.

“Krista Lynes’ Prismatic Media, Transnational Circuits unties the vexed knots joining experimental visual media and situated political struggles, including controversial feminist strategies for making women potent as subjects in local and trans-local worlds. Her knowledge of diverse practices and materials in specific historical ecologies across zones of sharp conflict is impressive. She makes keen theoretical arguments expressed with passion, clarity and power. Lynes examines how heterogeneous visual media produce the fraught visibility of women in law, culture, and politics. She shows how global audiences get constructed and operationalized through visual imaging at local sites of political struggle, especially where the abuse, exploitation, and agency of women are in play and at stake. The complexity and urgency of Lynes’ subject compel the reader. In short, this is a vivid, innovative, and important book.” – Donna Haraway, Distinguished Professor Emerita, History of Consciousness Department, University of California, Santa Cruz, USA

“The exposure of the mechanisms of power in dominant visual culture is executed in an exuberant and non-linear way and from a transnational perspective through an extensive use of optical metaphors such as “prismatic,” “refraction,” and “diffraction”. Lynes skillfully and confidently compounds semiotics and structuralism to feminism and complicates the binary visibility/invisibility by shedding more light on the emergence of complex vision in contemporary moving-image media and the existing different modes of representation in conflict zones.” – Suzana Milevska, visual culture theorist and curator, Skopje, Macedonia




Researchers from Concordia and MIT undertake a large-scale study into player demographics

Posted: January 7th, 2013

From Gran Turismo to WWE SmackDown, sports-based video games represent a wide variety of pursuits. When it comes to the people who actually play those games, however, little is known. How do sports video game players fit their games into a larger sports-related context? And how does their playing of video games inform their media usage and general sports fandom?

Mia ConsalvoThat’s what Concordia University communication studies Associate Professor Mia Consalvo sought to discover when she embarked on a large-scale study of video game players, the results of which were recently published in Convergence: The International Journal of Research into New Media Technologies.

Along with Abe Stein and Konstantin Mitgutsch from the Massachusetts Institute of Technology (MIT), Consalvo, who also holds a Canada Research Chair in Game Studies and Design, conducted an online survey of 1,718 participants to pin down demographics, habits, attitudes and activities of sports video game players.

The researchers found that the majority of those who play sports video games are male (98.4 per cent), white (80 per cent) and in their mid-20s (average age of 26 years). In comparison with other representative video game player demographics, the field is less diverse and the average player is younger. Based on the data about the larger game-playing population, it seems that the sports gamers are drawn from a more traditional demographic of game players, at least when it comes to console and certain personal computer-based video games.

“Perhaps one of the biggest findings to emerge from this study is unsurprising, but finally documented,” notes Consalvo. “The overwhelming majority of sports gamers – 93.3 per cent – self-identify as sports fans. That identity pushes beyond the playing of sports-themed video games. Attending sporting events, watching them on television, participating in those activities themselves as well as following certain teams or sports were regular parts of their daily lives.” 

Consalvo says she hopes to gain more insight into why there is little diversity in the player demographics, and why female players are in a minority. “While this study provides new insights into who sports video game players are and what they play and why, we still lack knowledge on how these players relate their passion for video games to their sports fandom in general,” she says. She hopes to address these questions in her forthcoming book, co-authored with Stein and Mitsgutsch, titled Sports Videogames.

Update: Maria Consalvo was interviewed on March 4, 2013 on Global’s Morning News. You can find the video here.




Screen Culture Research Group presents a Public Talk by Henry Jenkins

Posted: December 12th, 2012

The Transmedia Generation

Henry JenkinsThey have been called the Digital Generation, Generation.com, even Digital Natives, but perhaps it would be more accurate to call them the transmedia generation. Young people around the world are thinking, learning, creating, and mobilizing politically in different ways as a consequence of their greater control over the means of cultural production and circulation than previous generations. And, as they do so, they are innovating new approaches to politics, education, business, entertainment, even religion. Yet, in order to create opportunities for more diverse participation, we need to think deeply about the skills and technology they require to meaningfully participate.

In this talk, Jenkins offers some powerful examples of young people deploying the capacities of networked communication to make a difference in the world, proposes some new vocabulary — spreadable media, fan activism, participatory learning, transmedia mobilization — to describe these developments, and challenges some older models — viral media, entertainment education — which may not fully account for the kinds of active participation these new approaches command.

Henry Jenkins is Provost’s Professor of Communication, Journalism, Cinematic Arts, and Education at the University of Southern California. He is author of Convergence Culture (2006), Fans, Bloggers, and Gamers (2006), The Wow Climax (2006), Textual Poachers (1992), and What Made Pistachio Nuts? (1992), and co-author of Confronting the Challenges of Participatory Culture (2009). He has edited numerous volumes and, most recently, has written with Sam Ford and Joshua Green Spreadable Media: Creating Value and Meaning in a Networked Culture (2013).

Henry Jenkins – The Transmedia Generation
Thursday, January 10, 2013, 6 p.m.
Hall building, room 767
1455 de Maisonneuve blvd. W.

This event is sponsored by the Concordia University Research Chair in Communication Studies, the Concordia University Research Chair in Media and Contemporary Literature, the Canada Research Chair in Game Studies and Design, and Technology, Art and Games (TAG).

For more information, contact Charles Acland (Communication Studies) at email hidden; JavaScript is required.

Download the Poster – Henry Jenkins Talk Jan 10 2013