Year |
Name |
|
Supervisor |
Title |
Current Position |
2012 |
Melanie |
Hogan |
Matt Soar |
“Crashing the Archive: A Research-Creation Intervention into the SAW Video Mediatheque |
|
2012 |
Tamara |
Shepherd |
Leslie Shade |
“Persona Rights in Young People’s Labour of New Media Policy” |
|
2012 |
Brian |
Fauteux |
Charles Acland and Leslie Shade |
“Canadian Campus Radio and the Shaping of Sounds and Scenes” |
|
2012 |
Kenza |
Oumlil |
Yasmin Jiwani |
“Talking Back': Counter-Hegemonic Discourses of North American Arab and Muslim Women Artists” |
|
2012 |
William |
Tayeebwa |
Lorna Roth |
“(Re)framing Mass Media Values: The Prospects and Challenges of Peace Media in Uganda” |
|
2012 |
Erin Kathleen |
Despard |
Peter van Wyck |
“The dream of ‘la ville fleurie': A non-linear history and pragmatic criticism of public gardens in Montreal” |
|
2012 |
Louis |
Pelletier |
Charles Acland |
“The Fellows Who Dress the Pictures: Montreal Film Exhibitors in the Days of Vertical Integration (1912-1952)” |
|
2012 |
Fabien |
Rose |
Chantal Nadeau |
“(Sa)voir le genre autrement: le gender passing comme paradigme” |
|
2012 |
Jon |
van der Veen |
William Buxton |
“Participatory Listmaking: Encyclopedic Lists, Evaluative Lists, Playlists” |
|
2011 |
Mohamed |
BEN MOUSSA |
Leslie Shade
William Buxton |
“The use of Internet by Social Movements in Morocco: Implications of Collective Action and Political Change” |
|
2011 |
Bruno |
CORNELLIER |
Monika Gagnon Chantal Nadeau |
“La ‘chose indienne': Cinéma et politiques de la représentation autochtone dans la colonie de peuplement libérale” |
|
2011 |
Heather |
DAVIS |
Monika Gagnon |
“Art that Loves People: Relational Subjectivity in Community-based Art” |
|
2011 |
Nicole |
PORTER |
Charles Acland |
“Isn’t it about time? American Television Networks in the Face of Temporal and Institutional Challenges 1970-1985″ |
|
2011 |
Chantal |
FRANCOEUR |
Kim Sawchuk |
“Choc des cultures, contre-discours et adaptation: l’intégration, le régime et vérité radio-canadien” |
|
2011 |
Andrea |
ZEFFIRO |
Kim Sawchuk |
“Locations of Practice: The Social Production of Locative Media” |
|
2009 |
Caroline |
CARON |
Kim Sawchuk |
“Vues, mais non entendues. Les adolescentes Québécoises francophones et l’hypersexualisation de la mode et des médias” |
|
2009 |
Gabriela |
GOMEZ RODRIGUEZ |
Martin Allor |
The Construction of Social Imaginaries on Terrorism in Newspapers from montreal and Guadalajara: A Comparative Study Among Three Cultural Groups |
Professor, Departamento de Estudios de la Comunicación Social, the University of Guadalahara, Mexico |
2009 |
Brandi L. |
BELL |
Leslie Shade |
Youth Socio-Political Participation in a Context of Change: Media Representations of the Young Active Citizen in Canada, 1960s to 2000s |
|
2009 |
James |
MCLEAN |
William Buxton |
A War Room in Canada: Politics, Journalism, Publics and the Competition for Credibility |
|
2009 |
Katrina Maria |
PEDDLE |
Leslie Shade |
Youth Culture—Say What? Negotiating Rural Space in Daily Life in Southern Labrador: A Participatory Photovoice Project |
|
2009 |
Joanne Marie |
STOBER |
Charles Acland |
Wired for Sound: Conversion to Synchronized Sound in Canada 1926-1934 |
|
2009 |
Nathan |
RAMBUKKANA |
Chantal Nadeau |
Non-Monogamies and the Space of Discourse Theorizing the Intersections of Non/Monogamy and Intimate Privilege in the Public Sphere |
|
2009 |
Gerda |
CAMMAER |
Martin Allor |
Afterimages and Afterthoughts about the Afterlife of Film: a Memory of Resistance |
Image Arts, Ryerson University |
2008 |
Tamara Helen |
VUKOV |
Chantal Nadeau |
Affective Politics, Effective Borders: News Media Events and the Governmental Formation of Canadian Immigration |
|
2008 |
Kenneth |
WERBIN |
Kim Sawchuk |
The List Serves: The Apparatuses of Security and Governmentality |
Contemporary Studies, Wilfred Laurier |
2008 |
Peter |
LESTER |
Charles Acland |
Cultural Continuity and Technological Indeterminancy: Itinerant 16mm Film Exhibition in Canada, 1918-1949 |
|
2008 |
Judith A. |
NICHOLSON |
Kim Sawchuk |
Killing Time: Cellphone Use and Racialized Viewing in North America, From Dick Tracy to Abu Ghraib and Beyond |
Wilfred Laurier |
2008 |
Alison |
POWELL |
Leslie Shade |
Co-Productions of Technology, Culture and Policy in North America’s Community Wireless Networking Movement |
|
2007 |
Linnet |
FAWCETT |
Kim Sawchuk |
Evoking Affect, Becoming Movement: from Writing that Skates to the Swaggering Midlife Female Trick Skater |
|
2007 |
Charlene |
VACON |
Andra McCartney |
Alimentation and Acadienite: Food and Cultural Identity in Rural Nova Scotia Tourist Destinations |
|
2007 |
Owen |
CHAPMAN |
Andra McCartney |
Selected Sounds: a Collective Investigation into the Practice of Sample-Based Music |
Communication Studies, Concordia |
2007 |
George V. |
OBLIN |
Lorna Roth |
The Paix des Braves Agreement of 2002: an Analysis of Cree Responses |
|
2006 |
Slavka |
ANTONOVA |
Lorna Roth |
Power Dynamics in Global Communication Governance: Internet Regulation and the Case of Icann (1998-2002) |
|
2006 |
Raluca Maria |
FRATILOIU |
Maurice Charland |
Leonardo da Montreal: The Rhetoric of Italianita and the Canadian Post-Nation |
Communications, Okanagan College |
2004 |
Boulou |
DE B’BERI EBANDA |
Martin Allor |
Africanicity in Black Cinema: A Horizontal Labyrinth of Trans-Geographical Practices of Identity |
Communication, University of Ottawa |
2004 |
Sandra |
GABRIELE |
Kim Sawchuk |
Gendering Journalism (History): The Emergence of the Woman Journalist, Toronto, 1880-1895 |
Concordia |
2004 |
Yon |
HSU |
William Buxton |
Montreal’s Twinning with Shanghai – A Case Study of Urban Diplomacy in the Global Economy |
Research Fellow, Concordia |
2004 |
Robyn |
DINER |
Kim Sawchuk |
Bodies of Irony: Irony, the Unruly Body, Feminist Performance |
|
2003 |
Malcolm K. |
CECIL |
Martin Allor |
Categories of Experience, Logics of Inquiry and the Work of Analytic Concepts in the Discourses of Critical Communications Studies |
|
2003 |
Amin Mohammed |
ALHASSAN |
Martin Allor |
The Postcolonial State and Nation in the Articulation of Development and Communication Policy in Ghana |
Social Science, York |
2002 |
Sandra W. |
LANGLEY |
Martin Allor |
The Articulation of Sandinismo and of the 1980 National Literacy Campaign in Nicaragua |
|
2002 |
Mayda |
TOPOUSHIAN |
William Buxton |
Interpreting the Constructed Realities of the 1991 Gulf War: A Comparative Textual Analysis of Two Arab and Two North American Newspapers |
|
2001 |
Roger |
LAROSE |
Maurice Charland |
La crise d’Oka a la television: l’eloge du barbare |
|
2001 |
Thomas A. |
HAIG |
Kim Sawchuk |
The Conversant Community: HIV Health Promotion Work at Action Sero Zero |
|
2000 |
Catherine J. |
BUSBY |
Martin Allor |
Tragedies, Transgressions, and Transformations: Memory, Suffering, Pain and Recovery Culture |
|
2000 |
Sheryl |
HAMILTON |
Kim Sawchuk |
Interrogating the Cybernetic Imaginary: or Control and Communication in the Human and the Machine |
CRC, Communication & Law, Carleton University |
2000 |
Maria Nengeh |
MENSAH |
Kim Sawchuk |
L’anatomie du visible. Connaitre les femmes seropositives au moyed des media |
Université du Québec à Montréa |
2000 |
Kyle William |
MECHAR |
Chantal Nadeau |
The Politics of Speaking for: Theorizing the Limits of Liberation and Equality in Gay and Lesbian Political Discourse |
|
1999 |
Eleanor G. |
BEATTIE |
Maurice Charland |
Public Education in the Mass Media: National Farm Radio Forum on CBC Radio |
|
1999 |
Michael J. |
GASHER |
William Buxton |
The Grey Fox Meets Jumanji: The Emergence of the Feature-Film Industry in British Columbia |
Journalism, Concordia University |
1999 |
Mei |
WU |
William Buxton |
Negotiating a Community Space in the State Media: The Development of Cable Television in China — A Case Study of A Community Cable TV Station in Tianjin |
|
1999 |
Josephine |
MILLS |
Kim Sawchuk |
Public Occupations: Art Theory, Cultural Methodology, and Social Change |
|
1998 |
Julianne |
PIDDUCK |
Kim Sawchuk |
Intimate Places and Flights of Fancy: Gender, Space, and Movement in Contemporary Costume Drama |
Communication, Université de Montréal |
1997 |
Keir A.J. |
KEIGHTLEY |
Martin Allor |
Frank Sinatra, Hi-Fi, and Formations of Adult Culture: Gender, Technology and Celebrity, 1048-62 |
FIMS, Western |
1996 |
Christine |
TARPIN |
Martin Allor |
Les musées québécois: de la sauvegarde de la mémoire collective à la communication |
|
1996 |
Anne K. |
WHITELAW |
Martin Allor |
Exhibiting Canada: Articulations of National Identity at the National Gallery of Canada |
Art History, Concordia University |
1995 |
Carole |
GROLEAU |
William Gilsdorf |
An Examination of the Computerized Information Flow Contributing to the Mobility of Tasks in Three Newly Computerized Firms |
Communication, Université de Montréal |
1994 |
Lorna |
ROTH |
William Gilsdorf |
Northern Voices and Mediating Structures: The Emergence and Development of First Peoples’ Television Broadcasting in the Canadian North |
Communication Studies, Concordia University |
1993 |
Marilyn |
BURGESS |
Martin Allor |
“Dark Devils in the Saddle” A Discursive Analysis of Tourist and Entertainment Formations Constituting Western Canadian Regional Identity |
|
1993 |
Kevin L |
DOWLER |
Maurice Charland |
An Historical Inquiry into the Political and Cultural Context for the Emergence of the Television Aesthetic in the 1950s |
Communication Studies, York University |
1993 |
David A. |
HOGARTH |
William Gilsdorf |
Agency and Structure in Cultural Production: A Case Study of News Work at Canada’s CBC Newsworld |
Communication Studies, York University |
1993 |
Jenepher |
LENNOX |
William Gilsdorf |
The Appearance of Shared Meanings: Ambiguity and Humour in Police Communication |
Communication, University of Ottawa |
1993 |
Raymond A. |
CHARRON |
Maurice Charland |
A Philosophical Perspective on the Problems and Implications of the Communications Theory of Harold Innis |
|
1993 |
Paul |
THEBERGE |
|
Consumers of Technology: Musical Instrument Innovations and The Musicians’ Market |
CRC in Technological Mediations, Carleton University |
1992 |
Michael |
DORLAND |
Brian Lewis |
The Discursive Economy of the Emergence of the Canadian Feature Film: Discourses of Dependency and the Gouvernmentalization of the Displaced National Cinema, 1957-1968 |
School of Journalism & Communication, Carleton University |